I observe the way in which people behave and move in public space. This is either within my
direct close
environment or with complete strangers. I am drawn to rejected individuals/objects, which are
out of place.
There can be something wrenching inside of me when I see the disapproval inflicted on them,
which I am trying to
understand. In order to capture people/objects in the way I see them, in my observations and
feelings, I use
imagery; e.g. documenting film on interesting characters, photos of squashed objects and
grotesque sculptures.
The surrounding space reveals the rejection.
In my work, I am trying to show a certain contrast or disturbance. I express this via
contradiction and
repetitiveness. The contrast between light (humourful) and heavy subjects, which balance each
other, is
illustrated by the use of heavy contrast of light and shadows. Likewise, the contrast between
beauty and
repulsiveness is highlighted. This balance becomes stronger by showing it in masses, such as a
collection of
similar photos or in situ installation of sculptures.
The focus is on the investigation of relations: between people, between people and objects, or
between objects.
I try to document how social structures determine our behaviour with film. By playfully using
the power of the
camera and its perspective, one can challenge the value of the observed truth. In situ
installations allow for
another truth, one that might be more subjective or personal.